Brave New World.pdf
Aldous Huxley’s tour de force, Brave New World is a darkly satiric vision of a “utopian” future—where humans are genetically bred and pharmaceutically anesthetized to passively serve a ruling order. A powerful work of speculative fiction that has enthralled and terrified readers for generations, it remains remarkably relevant to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying entertainment.
“Community, Identity, Stability” is the motto of Aldous Huxley’s utopian World State. Here everyone consumes daily grams of soma, to fight depression, babies are born in laboratories, and the most popular form of entertainment is a “Feelie,” a movie that stimulates the senses of sight, hearing, and touch. Though there is no violence and everyone is provided for, Bernard Marx feels something is missing and senses his relationship with a young women has the potential to be much more than the confines of their existence allow. Huxley foreshadowed many of the practices and gadgets we take for granted today–let’s hope the sterility and absence of individuality he predicted aren’t yet to come.
“Brave New World is an excellent book and, what’s more, one that seems to be becoming more relevant all the time in our fast paced world. And unlike many other books with a similar philosophical orientation, Brave New World is quite refreshing, as Huxley’s prose is somehow manages to be clear, elegant and insightful without being overly obvious.
As regards the actual plot, Brave New World is in essence a portrayal of a utopia (or dystopia, depending how you look at it) in which there is constant prosperity, people are always content, as they are well provided for and have been programmed to like their society in all respects. This programming is undertaken by workers in charge of breeding the future citizens of this idyllic world, which is united under one government, under Ford. As everybody has been programmed to like their class and job, everybody is constantly content and has no wish to do anything other than what is required of them. If they happen to become depressed, of course, there is always the mood altering drug Soma.
Through presenting a few individuals who do not exactly fit into this molded world, however, Huxley presents us with a challenging and endlessly interesting question: What can possibly be wrong with a world in which everybody is happy, even if there is no real free will involved in actuality? If we can make ourselves superficially content and never have to suffer a moment of desperation or uncertainty, why not just do that? With the help of William Shakespeare and a young man from a “savage reservation,” Huxley explores the alternatives to his invented society’s promotion of mindless satisfaction. Should true art and the deep thought and emotion that inspires it be sacrificed to perpetual happiness without thought or deeper feeling?” – Amazon Review
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About the Author
Aldous Huxley (1894-1963) is the author of the classic novels Island, Eyeless in Gaza, and The Genius and the Goddess, as well as such critically acclaimed nonfiction works as The Devils of Loudun, The Doors of Perception, and The Perennial Philosophy. Born in Surrey, England, and educated at Oxford, he died in Los Angeles.